In terms of content, the trailer sets the figurative table rather nicely. The music was actually done first, which means Finklestein was able to edit the footage to the music. As one of the few luckiest fans on the planet, he got to see early cuts of Season 3's episodes, so as to choose some of the best bits for the trailer. Not going over the top with that idea was definitely a balance." I wanted to use corresponding synthetic driving pulses to compliment the original and elevate it into an intriguing dramatic space. I write in Logic Pro, complimenting the tools native to that platform, with an array of hard and software synths and effects that’d I’ve accumulated over the years. Using 'Baba O'Riley's distinct synth as a energetic texture in a broader cinematic palette was a lot of fun. After establishing a cinematic base for those elements, I could build on the basic chord structure of the song to ramp up excitement and tension throughout the remix. In this case, the vocals and main arpeggiated synth are undeniably what sets it apart. When I do a remix or a cover, I love to break the track down to the colors and textures, which make that song unique. "My aim in creating the music was to inject a bit more drama and anticipation into The Who’s song while maintaining its excitement and nostalgia. Giving me a look inside his process of making the mix, Hanson explains the following: We also generally check with the label and/or publisher to make sure the artist is okay with having their song remixed before we go to the effort of creating it," continues Gumm. "Confidential had done great work for us in the past on Stranger Things and Adam and Kelly wanted to bring that vibe to the Who song so we asked John if he could take a stab at it…and of course, he knocked it out of the park. Luckily, the makers behind Stranger Things were very keen on the idea and gave the go-ahead for the music to begin its remixed journey toward becoming a reality. The idea to use the famous rock song originally came from the mind of the trailer's editor, Adam Finklestein, who ran it by Netflix along with his producer/creative director, Kelly Adelman. " Netflix wanted a song that evoked the feeling of summer, which 'Baba O’Riley' does." "When someone requests a specific remix, I typically brainstorm with the editor and producer as to which composer we think is the best fit for what we’re trying to achieve and then go from there," says Bobby Gumm, VP of Music at Trailer Park. Maisel, Lionsgate's Hellboy reboot, or Warner Bros./Legendary's Pokémon Detective Pikachu. You may have seen their recent work on promos for Amazon's The Marvelous Mrs. So whether you want a nostalgic trip down memory lane or an educational crash course on '80s tunes, the music from Stranger Things 3 has a little something for everyone.The creation of the trailer itself fell onto the shoulders of Trailer Park, a company that specializes in creating trailers for major studio films and television shows. The soundtrack doesn't include any original songs, but fear not: The Stranger Things 3 score is also on Spotify, featuring music from composers Kyle Dixon and Michael Stein and setting the tone of the show with synth-heavy bops like "Starcourt" and the ambient "The Ceiling Is Beautiful." There are also several older songs, like Patsy Cline's somber ballad, "She's Got You," and "We'll Meet Again" by Vera Lynn. The 16-track playlist features artists who were popular in the mid-80s - like Wham!, Huey Lewis & The News, The Pointed Sisters, and Madonna - as well as '70s rock legends like The Who, The Cars, and REO Speedwagon. But if you want to keep the momentum going, the Stranger Things 3 soundtrack is now on Spotify, and it's once again just as '80s-tastic as the show. The season dropped on Thursday, July 4, which means hardcore fans may have already finished watching all eight episodes. Over July 4th weekend, people across America will be watching fireworks, having barbecues, and - the most important part of this year's festivities - watching Stranger Things 3.
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